The driving, repetitive rhythm was actually the sampled sound of feet stomping on flight cases and then looped, treated and mixed with electric snare and tom sounds. Unusually for Depeche Mode the dominant instrument is the electric guitar – a fairly significant deviation for a band that were primarily associated with electronic sounds.
The first fruit of their labours being the instantly addictive Personal Jesus. For this record, Gore intentionally kept his demo ideas as simple as possible, with much of the layering and arranging duties left to bandmate Alan Wilder.Įnlisting the help of the increasingly respected producer Flood (real name, Mark Ellis) the band began the Violator sessions at Logic Studios in Milan.
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Gore had previously come under fire within the group for going away, writing pretty much complete songs, demo-ing them and almost instructing the rest of the band what to play and how to play it.
“We decided that as our first record of the 90s, it ought to be different,” Martin Gore told the NME in 1990. However, for their seventh (then untitled) record they resolved to try something new. Gahan, Gore, Wilder and Fletcher had developed a working relationship and routine that was, as far as the band were concerned, beginning to stifle rather than fuel their musical ambitions…Īt this point Depeche Mode were used to spending a lot of time before the recording of their LPs discussing at length the style, tone and compositional approach that they would use. Throughout the 80s, Depeche Mode had established themselves as kings of the electro-pop landscape, albums such as Some Great Reward, Black Celebration and Music for the Masses had defined a sound and style that was both alluringly original and at the cutting edge of technological innovation, winning them a sizeable, dedicated fan base.ĭuring the course of this decade, Messrs. Recorded at Logic Studios, Puk Studios, Master Rock Studios and Axis Studios Produced by Depeche Mode and Mark ‘Flood’ Ellis Mixed by Depeche Mode and François Kevorkian Engineered by François Kevorkian, Alan Gregorie, Goh Hotoda, Peter Iversen, Phil Legg
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